First performed in Denmark in 2023, Brendan Fernandes’ The Calls (2023) was composed in collaboration with Niels Rosing-Schow. It was conceived during the height of the COVID-19 pandemic and it remarks on moments of civil unrest and state violence through the enduring sounds of police and ambulance sirens. Developed amidst the anxieties of that moment, the performance resonates to this day.

TBA 2026 curator Allison Glenn invited Brendan to consider Lake Ontario as a location for the second iteration of this work, resulting in The Calls (Toronto), which emphasizes the idea of an embodied journey or encounter. To experience this performance, situated on the Kajama Tall Ship on Lake Ontario, attendees will board the ship and sail around the harbour for one hour. The Modern Sound Collective Choir of eighteen voices is accompanied by two dancers who act as guides; together, they combine abstract sounds and vocal sirens as the ship moves across the lake.

Performance Times:

Sailing 1
Boarding: 12pm
Depart: 12:30pm
Return: 1:30pm
Disembark: 1:45pm

Sailing 2
Boarding: 2:15pm
Depart: 2:45pm
Return: 3:45pm
Disembark: 4pm

Accessibility: The entrance to the Kajama from the boarding dock is wheelchair accessible. The performance can be fully experienced from the accessible areas of the tall ship. Please note that the onboard washrooms are located below deck and are only accessible via a flight of stairs; they are not wheelchair accessible. Wheelchair-accessible washrooms are available near the docking location before boarding at Harbourfront Centre and the Power Plant. Gangplank widths: 91 cm (36 in)

If you have any accessibility questions or would like to discuss your access needs in advance, please email accessibility@tallshipcruisestoronto.com.

Co-presented with TOLive.

Date

September 27

Time

12:00pm

Register

This program is free, but registration is required in order to attend.

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Brendan Fernandres headshot

Artist Bio

Brendan Fernandes

Brendan Fernandes (b. 1979, Nairobi, Kenya) is an internationally recognized Canadian artist working at the intersection of dance and visual arts. Currently based in Chicago, his practice addresses issues of race, queer culture, migration, protest, and other forms of collective movement. Constantly seeking to create new spaces and forms of agency, Fernandes’ work often takes on hybrid forms: part ballet, part queer dance party, part political protest always rooted in collaboration and fostering solidarity. Fernandes is a graduate of the Whitney Independent Study Program (2007) and has been the recipient of numerous awards, including a Robert Rauschenberg Residency Fellowship (2014), a Smithsonian Artist Research Fellowship (2020), an Artadia Award (2019), a Louis Comfort Tiffany Foundation Grant (2019), and most recently, the Platform Award (2024). In 2024, he was also honored with the Creative Voice Award by Arts Alliance Illinois. His work has been presented at prestigious venues such as the 2019 Whitney Biennial at the Whitney Museum of American Art (New York), the Museum of Contemporary Art Chicago (Chicago), the Solomon R. Guggenheim Museum (New York), the Museum of Modern Art (New York), the J. Paul Getty Museum (Los Angeles), the National Gallery of Canada (Ottawa), and the Musée d’art contemporain de Montréal (MAC), among many others. Fernandes is an Associate Professor in the Department of Art, Theory, and Practice at Northwestern University. He is represented by Monique Meloche Gallery in Chicago and Susan Inglett Gallery in New York. Recent and upcoming projects include performances and solo presentations at the Pulitzer Arts Foundation (St. Louis, MO), the Museum of Contemporary Art Denver (Denver, CO), the Fabric Workshop and Museum (Philadelphia, PA), and Prospect.6 (New Orleans, LA). In spring 2026, a major new commission and solo exhibition will debut at the Driehaus Museum in Chicago.

Photo by Michael Salisbury.

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