Dawit Petros’s multipart installation, Emergent Formations, will be on view at the Aga Khan Museum from dusk till dawn on the occasion of Toronto’s Nuit Blanche. The work considers the lasting implications of an 1884 British Empire military mission which set in motion an extraordinary collision of worlds. Petros examines the visual and textual languages used to depict the expedition, focusing on how its diverse participants and the environments they moved through were represented. The work unfolds across multiple site interventions throughout the Aga Khan Museum’s public spaces, linking historical events, communities, languages, and geographies often imagined as remote from one another.

More detailed Nuit Blanche hours and access at the Aga Khan Museum are as follows:

Family Gallery: 5:30 pm–7 am
Note: The doors between the parking garage and the family gallery will be locked after 2am, but it will be accessible from inside the Museum

Bellerive Room: 5:30 pm–12 am

Atrium: 5:30 pm–7 am

Green room windows/park panels: 5:30 pm–7 am, though the green room windows and the panels will not be lit after dark

Dawit L. Petros headshot

Artist Bio

Dawit L. Petros

Dawit L. Petros is a visual artist and educator who examines the intertwined and multiple narratives of African and European colonialism and modernity. He draws from his study of history to highlight displaced or forgotten histories. Petros conducts extensive research and travel to inform his production across materials and mediums, including photography, sculpture, screen prints, video, sound, performance and sound. A sensitivity to political and historical engagement is fused with aesthetic language that pays keen attention to color and abstraction, reflecting Petros’ long-standing preoccupation with traditions of minimalist sculpture and conceptual artmaking. This enables Petros to engage in a metaphorical dialogue with contemporary issues of displacement and place-making that challenge traditional forms of narrative representation associated with documentary imaging.

Petros completed the Whitney Independent Study Program, an MFA in Visual Art from the School of the Museum of Fine Arts, Boston and Tufts University; a BFA in Photography from Concordia University; and a BA in History from the University of Saskatchewan. Recent national and international venues that have exhibited his work include Liverpool Biennial, Haus der Kunst, Munich; Kunsthal KAdE, Amersfoort; Wereld Museum, Rotterdam; Tate Modern, London; KØS Museum for Art in Public Space, Nørregade, Køge; Ozangé Spanish Biennial of African Photography, Malaga; Oslo Kunstforening, Oslo; Huis Marseille Museum of Photography, Amsterdam; The Studio Museum in Harlem, NYC; The National Museum of African Art in Washington, DC; and the Bamako Biennale in Mali.

Petros has been recognized with numerous accolades, such as the Scotiabank Photography Prize, the Terra Foundation for American Art Research Fellow, a Fulbright Fellowship, the Paul De Hueck and Norman Walford Career Achievement Award in Art Photography, an Art Matters Fellowship, and Artist Residencies at The Studio Museum in Harlem, The McColl Center for Visual Art, and Addis Ababa Photo Fest.

Dawit L. Petros is a co-founder with Heba Y. Amin of Black Athena Collective. He is an Associate Professor in the Department of Studio Art at Dartmouth College. Petros is represented by Bradley Ertaskiran in Montreal, Canada.

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