Date September 26 – December 13

Using the technique of machinima, which involves screen-capturing the action in video game environments to create cinematic videos, Skawennati develops complex and layered worlds through her avatar, xox. With xox Visits the King (2025), she imagines a dialogue between King Charles and xox that results in the Crown issuing a series of restorative actions, including returning all land in Canada to Indigenous peoples. Dollhouse Longhouse (2024) is a playful machinima of a day in the life in the year 2100, when the custom of communal, extended family dwelling has been restored. While various characters go about their day in the longhouse, xox sits in the tub singing a version of the children’s song, “Finger Family,” set to the tune of another classic, “Frère Jacques/Brother John” in Kanien’kéha (the Mohawk language). Skawennati does the vocals, reflecting her own language-learning journey.

Co-presented with Gallery TPW and made possible with the generous support of Fonds Hamelys, ELLEPHANT, and the Women Leading Initiative

Bio

Skawennati headshot

Bio

Skawennati

Skawennati (b. 1969, Kanien’kehá:ka of the Hotinonshón:ni) makes art across a variety of media. Her machinimas and machinimagraphs (movies and still images made in virtual environments), textiles and sculpture have been presented and collected internationally.

From her perspectives as an urban Kanien’kehá:ka (Mohawk) woman and as a cyberpunk avatar, internationally exhibiting artist Skawennati has spent this millenium imagining Indigenous people thriving. In her virtual studio she customizes avatars and environments to create scenarios that can be recorded as movies (aka machinimas) and still images (machinimagraphs). She also makes physical objects including sculpture and costumes, and writes the occasional song. Her practice is gradually coalescing into an alternate universe.

Her works have been presented online and in-person in galleries, classrooms, festivals and fashion shows, and are included in the a number of collections, such as the National Gallery of Canada and the Thoma Foundation. She is honoured to have received a 2025 Meritorious Service Medal; a 2022 Hewlett 50 Arts Commissions Grant; a 2020 Smithsonian Artist Research Fellowship; and a 2011 Eiteljorg Contemporary Art Fellowship. She holds an Honorary Doctorate from the Minneapolis College of Art and Design.

Over the years, Skawennati has been active in various communities. In the 80s she joined the nuclear-disarmament peace group, SAGE (Students Against Global Extermination), and the Quebec Native Women’s Association. In the 90s she co-founded Nation to Nation, a First Nations artist collective, while working in and with various Indigenous organizations and artist-run centres, including the Native Friendship Centre of Montreal and Oboro. In 2005, she co-founded Aboriginal Territories in Cyberspace (AbTeC), a research-creation network based at Concordia University whose projects include the Skins workshops on Aboriginal Storytelling and Digital Media as well as the Initiative for Indigenous Futures. Throughout most of the teens, she volunteered extensively for her children’s elementary school, where she also initiated an Indigenous Awareness programme. In 2019, she co-founded centre d’art daphne, Montreal’s first Indigenous artist-run centre. In 2023, she also joined the board of Rhizome, an international hub for new media.

Originally from Kahnawà:ke Mohawk Territory, Skawennati belongs to the Turtle clan. She holds a Bachelor degree of Fine Arts from Concordia University in Montreal, where she resides. She is represented by ELLEPHANT.

Photo by Ruvan Wijesooriya.

Location

  • Accessibility

    Gallery TPW

    Accessible entrance

    Washrooms available

    Gallery TPW has ramp access and clear, unobstructed pathways within the gallery. Please note that there are no automatic doors at the entrance or washroom and no designated accessible parking nearby.

    Venue is AODA-compliant

    For more information on Accessibility at Gallery TPW please click here.

    Parking: Limited street parking is available on St. Helens Avenue or at nearby Green P locations.

  • Getting There

    Gallery TPW

    Visitors arriving by TTC can walk from Lansdowne Station, take the 505 Dundas Street West Streetcar, the 506 College Streetcar, or the 47 Lansdowne Bus.

Donors & Supporters

Fonds Hamelys
Women Leading Initiative

Partners

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