Follow the work of TBA artist Nirbhai (nep) Singh Sidhu across three distinct architectural, historical, and cultural sites throughout Toronto.

This dedicated bus tour experience connects Sidhu’s work featured in TBA Parallel Project Journey of the Mind at Campbell House Museum with his permanent installation A Deathless Potential in Remembrance by You, curated by Allison Glenn and commissioned by the Toronto Biennial of Art at Scarborough Gurdwara, and his exhibition This song is dedicated to natures’ God at Capsules Artist Resources.

Moving between a historic downtown museum and vibrant community spaces, this journey explores how art can create a space to reconnect with universal truths about the mind, revealing what connects us across different histories, cultures, and lived experiences and external labels.

Members of the without SHAPE without FORM team will be present throughout the tour to help ensure a comfortable experience and to share deeper insights into the ideas and practices that inform works.

The experience includes:

  • Guided bus journey connecting all three sites.
  • A complimentary Journey of the Mind zine to support continued creative reflection.
  • A curated audio experience exploring the historical and cultural significance of each project, including moments of Simran (a practice of stillness and deep listening) and reflection.
  • Time for self-guided exploration at each exhibition site.

Presented by without SHAPE without FORM.

Accessibility: Please note that only the ground floor of Campbell House has step-free access, via the rear door. There is no elevator at Campbell House. The second floor is stair access only.

Date

October 2, October 3, October 4

Time

4:15pm – 7:59pm

Register

This program is free, but registration is required in order to attend as spots are limited.

Sign up here
Nirbhai (nep) Singh Sidhu headshot

Artist Bio

Nirbhai (nep) Singh Sidhu

Nirbhai (nep) Singh Sidhu is a Toronto-based interdisciplinary artist who works through labor-based knowledge production, Sikh interiority, and blood memory as an adaptive method for resilience and remembrance. Sidhu’s practice draws from a personal lifetime and family lineage of working in metal manufacturing factories and the building of community-based sites for youth development such as Sher-E-Punjab Sports Academy in Chakar, Punjab. His continued practice of sound and silence through a multitude of mediums including omni-directional sound systems (A Disappearance Potential, 2021) counter surveillance drum machines (The PIGG500 Security and Leisure Enhancement Console, 2017) and Simran focused visual output, reveals the expansion of both the social external and cellular internal.

Sidhu’s varying material approaches in painting allow him to express detachment and hyper presence as a guiding singular principle. An aesthetic of nondual activity is central as it precedes the radical distinction between subject and object in his painted works such as They Awakened in Algorithm, 2021. “Painting allows me to center realities of oneness that we don’t encounter physically, by pointing to the ecstatic and sensual in revealing a greater presence, with entities, ideas and one another.” In putting forth such works, the necessity to expand beyond poetics and abstraction become essential to address the realities of languaging, musicking and trancing as natural modes of ‘embodying a text’ or ‘becoming the music’ in the pursuit of a losing one’s autobiographical self. This reflection on life is a personal objective for Sidhu, to embrace continuous death, while alive.

Sidhu’s work has exhibited at the Aichi Triennale, Nagoya City Museum, Japan; Frye Museum of Art, Seattle; Gallery of Modern Art, Glasgow; Museum of Contemporary Art Detroit; Esker Foundation, Calgary and the Victoria and Albert Museum, London, among others. He is a member of the Black Constellation collective and designs clothing and adornment under the Paradise Sportif moniker.

Photo by Ishmael Butler.

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