Date September 26 – December 13

This large-scale nail and string drawing and painted mural centres the Diné creation story of Tééhoołtsódii, or the Big Water Monster, who creates a devastating flood in response to her children being taken from her. This conceptual framework is underscored by material references: through the use of nails and string, Nanibah “Nani” Chacon develops intricate, abstract wall weavings that incorporate Diné rug patterns. This merging of multiple temporalities, of borrowing from the past and including the story of Tééhoołtsódii, is a reminder that, in this moment of intense social, political, and climate catastrophes, ego-driven decisions have the propensity to create chaos.

Commissioned by the Toronto Biennial of Art, co-presented with Gallery TPW, and made possible with the generous support of the Women Leading Initiative.

Bio

Nanibah (Nani) Chacon headshot

Bio

Nanibah “Nani” Chacon

Nanibah “Nani” Chacon is a Dine (Navajo) and Chicana artist, with disciplines spanning painting, installation and sculpture. Chacon was born in Gallup, New Mexico and grew up on both the Navajo reservation and in New Mexico. She is currently based in Albuquerque, New Mexico. Chacon’s most notable works have been within the public arts sector, in which she has a cumulative experience of over 20 years. In 2003 Chacon received her Bachelor in Education from the University of New Mexico. She has seven years teaching experience in the classroom and has also written curriculum for alternative education programs. Chacons’ works as an artist often include community-based integration and social practice, working as key components within the public work pieces she creates. Creating public works, facilitates a social engagement process, making community a central part of her process, as well as elevates her personal philosophy that art should be accessible and a meaningful catalyst for social change. Her work has been recognized for its unique style and attention paid to site specific location and content, as well as the integration of socio-political issues affecting women and indigenous peoples. Chacon’s work focuses concepts within indigenous culture, bringing the complexity of indigenous people to the forefront. The content of the work is used to incite dialogue though site specific placement, cultural content and community dialogue. Chacon currently exhibits across the United States and abroad. She has maintained a career as an artist and educator creating works both Nationally and Internationally, while working with multiple organizations and institutions. receiving commissions and collaboration opportunities worldwide.

The most notable being Creative Capital, Participant in the Whitney Biennial, SITE Santa Fe, the National Endowment for the Arts, California Endowment for the arts. US consulate and Embassy in Russia, the Obama Foundation, NM Public Arts Foundation, National Museum of Mexican Art Chicago, Navajo Nation Museum, National Hispanic Cultural Center and the Museum of Native Contemporary Art. Her clients have included: Facebook, Go Pro, NBC Universal, NPR ,Disney, Comedy Central, Honor the Earth, and Sons and Brothers, with work acquired by LACMA, Whitney Museum of Art, Getty, Tia Collection, Gochman Collection.

Photo by Nakai Rodriguez.

Location

  • Accessibility

    Gallery TPW

    Accessible entrance

    Washrooms available

    Gallery TPW has ramp access and clear, unobstructed pathways within the gallery. Please note that there are no automatic doors at the entrance or washroom and no designated accessible parking nearby.

    Venue is AODA-compliant

    For more information on Accessibility at Gallery TPW please click here.

    Parking: Limited street parking is available on St. Helens Avenue or at nearby Green P locations.

  • Getting There

    Gallery TPW

    Visitors arriving by TTC can walk from Lansdowne Station, take the 505 Dundas Street West Streetcar, the 506 College Streetcar, or the 47 Lansdowne Bus.

Donors & Supporters

Women Leading Initiative

Partners

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