March 26 – June 5, 2022

Nadia Belerique, working in photography, sculpture, and installation, expands on photographic strategies of framing, aperture, depth, and the distance between objects and their representations. Her works commonly address tenuous relationships between insides and outsides, private and public, exposed and contained. Collaging and piecing together found objects, photographs, and stained glass, she layers their intrinsic histories and functions to transform them into something else entirely.

Nadia’s architectural installation HOLDINGS (2020–ongoing) incorporates industrially produced, milky-white plastic barrels made to economically send cargo across seas. These barrels were often used by the artist’s family and community in Toronto to ship food, goods, and gifts to and from their relatives located in the archipelago of the Azores in Portugal. As the barrels are continually reused, they bear traces of the substances that they carried previously and remind us of their potential for future use and reuse, as well as our desire to preserve and contain. In HOLDINGS, each barrel becomes a frame or vessel for compositions of liquids, photographs, and object assemblages outfitted with lens-like stained-glass coverings. The translucency of the glass and barrels produces a porous wall through which Nadia’s objects can be looked at and through, the shifting light and shadows changing their compositions throughout the day.

When the barrels arrive in Toronto for the 2022 iteration of this commission, they will have been presented in different forms in Germany, the Azores, and New York before returning to the artist’s place of residence. As water flows from one point to another, the movement and migration of people, animals, and microbial life, as well as ideas, beliefs, and perspectives travel with them. HOLDINGS considers the movement of goods as a constitutive part of migration, tethering people and places across oceans and land. Nadia’s materials, alternating between transparency and opacity, industrial and domestic, speak of relations maintained and troubled by distance, desire, memory, and forgetting.

Commissioned by the Toronto Biennial of Art with the generous support of the RBC Emerging Canadian Artist Program, the Canada Council for the Arts, the Ontario Arts Council, the Women Leading Initiative, and Daniel Faria Gallery.

Audio Didactic:


Nadia Belerique (born in 1982, Toronto, Canada) lives and works near Toronto. Recent solo exhibitions include Holdings at Arquipélago Contemporary Art Center, Ribeira Grande, Portugal (2021); There’s a Hole In the Bucket, Daniel Faria Gallery, Toronto (2019), On Sleep Stones, Grazer Kunstverein, Graz (2018); and The Weather Channel, Oakville Galleries, Oakville (2018). Her work has been exhibited nationally and internationally, most recently at the New Museum’s 2021 Triennial, Soft Water, Hard Stone. Nadia has completed residencies at Walk&Talk, the Azores, and Fogo Island Arts, Fogo Island, Newfoundland, among others. Her forthcoming exhibition at Fogo Island Arts will be in 2022.

  • Accessibility

    72 Perth Avenue

    Wheelchair Access – Entrance
    From Bloor Street: The accessible path to 72 Perth Avenue’s main entrance runs southbound along the east side to Besi’s Auto Collision. Cross the street to the west-side sidewalk in front of the fencing and continue south 20 metres. Automatic door activation is to the right of the double doors.

    From Sterling Road: Construction and lack of sidewalks are unfortunately an issue in this up and coming residential area. Travelling northbound, accessible pathways begin on the east and west-side of Perth Avenue. The main entrance of 72 Perth Avenue is at street level.

    Outdoor Exhibition & Shelter
    A portable ramp is available for the doorway from the main exhibition area to the outdoor area. An alternative accessible path is through the fence opening on the west side, 30 metres northbound from the main entrance.

    Accessible washrooms are located to the left of the main entrance.

    AODA-compliant building

  • Getting There

    72 Perth Avenue

    Parking: Limited paid

    TTC: Near Lansdowne station; Dundas West station; 505 Dundas and 506 Carlton streetcars

    Other Transit: Steps away from the GO/UP Express Bloor station

Donors & Supporters

Daniel Faria Gallery