Built of rubble salvaged from construction sites across the city, Santiago’s J’ouvert Temple is a modern-day capriccio—an architectural fantasy informed by the artist’s experience of ancient and modern-day ruins. Santiago’s work draws specifically on a blend of aesthetic influences he encountered in the architecture of Portugal and Italy, and incorporates that with an aesthetic commentary on the unrelenting expansion and development of Toronto’s waterfront. Viewed through holes in a construction fence, vignettes emerge from the debris, evoking a similar sense of intimacy (albeit on a larger scale) as the artist’s Infinity Series currently on view at 259 Lake Shore Blvd E.

Commissioned by the Toronto Biennial of Art and made possible with generous support from Canadian Malartic, Agnico Eagle Mines, Yamana Gold, and Giant Containers

Bio

The practice of Curtis Talwst Santiago (born in Edmonton, AB, Canada; lives in Lisbon, Portugal) is decentralized. Santiago studied as an apprentice of Lawrence Paul Yuxweluptun. Santiago has exhibited internationally at venues such as: The New Museum, New York; Art Gallery of Ontario, Toronto; Pérez Art Museum Miami; and SCAD Museum of Art, Savannah. The artist’s work was featured in the Biennale de Dakar and SITE Santa Fe, both 2018. Santiago’s work is in the permanent collection of the Studio Museum in Harlem.

Exhibition Site

The Port Lands

55 Unwin Ave
Toronto ON
M5A 1A2