Elina Waage Mikalsen will activate elements of her installation I Lay My Ear Against the Weave’s Ear including the rátnomuorat (loom), dorte (a spinning wheel) and vikšamuorra (a hand-held tool to skein the yarn after it has been spun).
Note: This program is accessible to professional preview visitors only. The artist will be activating her work again on September 22nd and we invite members of the general public to attend that program.
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This program is a part of Your Timing is Perfect: Moments and Movements of Inquiry, a performance series in which artists investigate the body as a living archive, exploring its extraordinary strength and resilience, as well as its tenderness, vulnerability, and limitations.
Image credit: Elina Waage Mikalsen performing. Courtesy of the artist.
September 19
1:30pm – 2:00pm
This venue is wheelchair accessible.
This program has loud and/or complex sounds.
Artist Bio
Ange Loft
Ange Loft (Kanien’kehá:ka, from Kahnawà:ke, QC, Canada; lives in Toronto, ON, Canada) is an interdisciplinary performing artist. Her collaborations use arts based research, voice, wearable sculpture, theatrical co-creation and Haudenosaunee history to facilitate workshops and community-engaged spectacle. She was the director of the Talking Treaties initiative and co-author of A Treaty Guide for Torontonians (2022). Ange was the inaugural Indigenous Research Fellow at the Centre for Canadian Architecture (2023), Indigenous Artist in Residence at Centaur Theatre (22-25) and Barker Fairley Distinguished Visitor at University College (2023/24). Ange received the Toronto Arts Foundation’s Indigenous Artist Award in 2023.
Artist Bio
Elina Waage Mikalsen
Elina Waage Mikalsen (b.1992; she/her) is a Sámi-Norwegian interdisciplinary artist and musician from Romssa/Tromsø, Sápmi/Norway. She works with sound, textile, performance, text and installation. In her sound practice, she often mixes field recordings, voice, electronics and home-built instruments. She seeks to create sonic spaces that exist somewhere between reality and fantasy, where sound is like a time machine that causes time to collapse and sets both past and future in motion.
By collecting fragments of stories, materials and practices she works with what lies in between. The holes that the Norwegian colonization of Sápmi has created in the form of loss of language and cultural heritage have become a starting point for imagining what these holes might represent, what matter they constitute and how they continue to affect the people in our societies.
She holds an MFA from Oslo National Academy of Arts from 2021. She has exhibited and performed nationally and internationally in places like Henie Onstad Kunstsenter, MUNCH, Charlottenborg Kunsthal, Nuuk Art Museum, Cultural Centre Caisa, The National Museum in Norway, Lofoten International Arts Festival and Singapore Biennale. For the last two years, she has been an artist in residence at the Borealis Festival for experimental music, focusing on Sámi sonic practices, ways of listening and experimenting.