Regina de Miguel is a filmmaker and interdisciplinary artist whose work explores how imaginaries, violence, and knowledge are produced, inherited, and materially grounded in territories understood as geotraumatic sites. Through films, installations, and hybrid projects, she questions the supposed neutrality of scientific images and devices, bringing maps, models, archives, and data visualizations into friction with speculative and narrative strategies. Writing and voice play a structural role, opening fissures in dominant languages and rehearsing alliances between human and non-human agencies. Her work has been shown internationally and is held in collections such as TBA21, Fundación “la Caixa”, and Museo Reina Sofía.