One Hundred More

Emese Csornai studied architecture at the Technical University of Budapest and fine arts at the Gerrit Rietveld Academie in Amsterdam (BA 2009). Her research in fine arts lead her to lighting design, which two principles keep informing each other in her work as a practicing lighting designer.

Justine A. Chambers (1975; she/her/hers) is a bi-racial Black dance artist and educator living on the ancestral and traditional territories of the Sḵwx̱wú7mesh, xʷməθkʷəy̓əm and səlilwətaɬ Nations. Her movement-based practice considers how choreography can be an empathic practice rooted in collaborative creation, close observation, and the body as a site of a cumulative embodied archive. Privileging what is felt over what is seen, she works with the social choreographies present in the everyday. Her most recent works are activations of the aesthetic practices of Black vernacular line dance and Black dandyism as de-colonial imaginings. Her choreography is concerned with the provisional questions: “What If?” And “Now what?” as processes towards imagining otherwise. Chambers’s work has been hosted by Leonard and Bina Ellen Gallery, Libby Leshgold Gallery at Emily Carr University of Art and Design, Western Front, Sophiensaele (Berlin), National Arts Centre, Contemporary Art Gallery (Vancouver), Morris and Helen Belkin Art Gallery at University of British Columbia, Tek Gallery at Simon Fraser University, Artspeak Hong Kong Performing Arts Festival, Agora de la Danse, Cantor Fitzgerald Gallery, and Art Museum at University of Toronto. She was the recipient of the Lola Dance Award (2017), Chrystal Dance Prize (2017 & 2023) and was long-listed for the Sobey Art Award in 2023. She is currently an instructor at the School for the Contemporary Arts at Simon Fraser University and completing an MFA in interdisciplinary art. Chambers is Max Tyler-Hite’s mother.

Laurie Young is a Berlin based Canadian dance artist who focuses on the embodiment of unauthorised histories and their representation and how relationships are choreographed between human and other than human beings in the theatre, museum and city. Laurie embraces an expanded notion of choreography as a way of observing organisational patterns between bodies, of framing or revealing hierarchies. She has been working in transdisciplinary projects across the fields of dance studies, sensory ethnography and archival practices. Her artistic development continues to evolve, informed increasingly by the politics of the diasporic body, its archival liveliness and its choreography.

Her career as a dancer saw her working with many international choreographers including Sasha Waltz, Meg Stuart, Benoit Lachambre, Eszter Salomon, Nasser Martin Gousset and Hannah Hegenscheidt. Laurie (with Justine A. Chambers) was named Visiting Dance artist of the National Arts Centre and she was the 2019-2020 recipient of the Tanzpraxis scholarship of the Senatverwaltung für Kultur und Europa. She was also a multiple recipient of “Arts and Science and Motion” fellowship of the Volkswagen Foundation. Her work has been presented at the Sophiensaele, Martin Gropius Bau, The Australian Museum, National Arts Centre, The Field Museum, Agora de la danse amongst others. She is currently studying somatic trauma therapy and embodied activism in a social justice context.

Sarah Doucet is a versatile artist with a career spanning contemporary dance, choreography, rehearsal direction and jewelry design, and for the past decade, costume design and styling, with a strong focus on intimacy coordinating. Her costume work includes projects such as L-E-A-K by Sara Porter (2023), LEAP(of faith) at TOAF (2023), and Juliet and Romeo with Decidedly Jazz(2017), one of 6 full length shows with DJD(Calgary). Sarah has collaborated with artists including Christopher House, Amanda Acorn, Propeller Dance(Ottawa), Animals of Distinction(MTL), Toronto Dance Theatre and Jenn Goodwin, to name a few, bringing a thoughtful and creative approach to each project. With over 30 years of experience in the arts, she continues to explore new ways to merge design and performance in her work.

Victoria Cheong is a Toronto-based artist working in music, video and performance. She produces and performs electronic music as New Chance. Her work in music also includes DJing, remixing, and a long time collaborative practice in contemporary dance. Recent projects include composing for Aisha Sasha John’s Diana Ross Dream , producing with Picastro’s Liz Hysen and musical collaboration with reggae legend Willi Williams. In 2023 New Chance released an art edition mantra record, Peaceful Mind (Personal Records) and in 2021 she released her full-length LP, Real Time (We Are Time). She is currently developing new modes of personal musical practice as part of a Canada Council-funded research project on the ancient Greek philosophical concept of The Metakosmia.