Elina Waage Mikalsen will activate elements of her installation I Lay My Ear Against the Weave’s Ear including the rátnomuorat (loom), dorte (a spinning wheel) and vikšamuorra (a hand-held tool to skein the yarn after it has been spun).

Note: While there is a capacity limit for this program, tickets are not required. Please arrive early to reserve your spot.

This program is a part of Your Timing is Perfect: Moments and Movements of Inquiry, a performance series in which artists investigate the body as a living archive, exploring its extraordinary strength and resilience, as well as its tenderness, vulnerability, and limitations.

Image credit: Elina Waage Mikalsen performing. Courtesy of the artist.

Date

September 22

Time

1:30pm – 2:00pm

This venue is wheelchair accessible.

This program has loud and/or complex sounds.

Artist Bio

Elina Waage Mikalsen

Elina Waage Mikalsen (b.1992; she/her) is a Sámi-Norwegian interdisciplinary artist and musician from Romssa/Tromsø, Sápmi/Norway. She works with sound, textile, performance, text and installation. In her sound practice, she often mixes field recordings, voice, electronics and home-built instruments. She seeks to create sonic spaces that exist somewhere between reality and fantasy, where sound is like a time machine that causes time to collapse and sets both past and future in motion.

By collecting fragments of stories, materials and practices she works with what lies in between. The holes that the Norwegian colonization of Sápmi has created in the form of loss of language and cultural heritage have become a starting point for imagining what these holes might represent, what matter they constitute and how they continue to affect the people in our societies.

She holds an MFA from Oslo National Academy of Arts from 2021. She has exhibited and performed nationally and internationally in places like Henie Onstad Kunstsenter, MUNCH, Charlottenborg Kunsthal, Nuuk Art Museum, Cultural Centre Caisa, The National Museum in Norway, Lofoten International Arts Festival and Singapore Biennale. For the last two years, she has been an artist in residence at the Borealis Festival for experimental music, focusing on Sámi sonic practices, ways of listening and experimenting.