Artists Peter Morin and Jimmie Kilpatrick are friends who share an abiding love for karaoke and present it through their ongoing artistic collaboration, Love Songs to End Colonization, a participatory karaoke project founded in kindness, joy, futurity, and engaging a collective voice through singing. Repurposing popular love songs, this project critiques, confronts, and dismantles the historical notions and the current presence of settler colonialism and utilizes karaoke as a methodology for social change. Listeners are invited to perform a song, sing-along, clap, dance, or simply witness and soak in love and music to dismantle colonialism, one love song at a time.

For those three minutes you are a star, and you feel like a star. And the people watching realize that they are watching a star. This performance is guided by those three minutes, and in those minutes we offer the singer a chance to reframe their relationship to colonization and the act of decolonizing in Canada.” — Peter Morin & Jimmie Kilpatrick

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Presented in partnership with The Theatre Centre.

Image credit: Love Songs to End Colonization, Peter Morin and Jimmie Kilpatrick. Presented at the Plug In Institute of Contemporary Art, Winnipeg, 2022. Photography: Matt Horseman.

Date

November 30

Time

8:00pm – 11:00pm

This program has bright and/or flashing lights.

This program has loud and/or complex sounds.

Artist Bio

Jimmie Kilpatrick

Jimmie Kilpatrick (b. 1979, Ontario; he/him) is a musician, educator, and interdisciplinary artist based in Brandon, Manitoba. He’s been touring regularly and releasing records on Toronto’s You’ve Changed Records since 2009. Kilpatrick cut his rock & roll teeth in the early 2000’s, as part of the seminal east coast indie outfit Shotgun and Jaybird. He has appeared on recordings by John K. Samson, Christine Fellows, Joel Plaskett and By Divine Right.

Artist Bio

Peter Morin

Peter Morin (b. 1977, Tahltan Nation/British Columbia; he/him) is a grandson of Tahltan ancestor artists. Morin’s work highlights cross-ancestral collaboration and deeply considers the impact zones that occur between Indigenous ways of knowing and Western Settler Colonialism. Morin’s practice has spanned twenty years so far, with exhibitions in London, Berlin, Singapore, New Zealand, and Greenland, as well as across Canada and the United States. Morin currently holds a tenured appointment in the Faculty of Arts at the Ontario College of Art and Design University in Toronto.