Hangama Amiri (1989; she/her) holds an MFA from Yale University where she graduated in 2020 from the Painting and Printmaking Department. She received her BFA from NSCAD University in Halifax, Nova Scotia, and is a Canadian Fulbright and Post-Graduate Fellow at Yale University School of Art and Sciences (2015-2016). Her recent exhibitions include Quiet Resistance (2023) at Moenchehaus Museum Goslar, Germany; Rumi (2023) at Aga Khan Museum, Toronto, ON; A Homage to Home (2023) at The Aldrich Contemporary Art Museum, Ridgefield, CT and Kemper Museum of Contemporary Art, Kansas City, MO; Sharjah Biennial 15: Thinking Historically in the Present (2023), Sharjah, UAE; Reminiscences (2022) at Union Pacific in London; Henna Night/ Shabe Kheena (2022) at David B. Smith Gallery, Denver, CO.
Amiri works predominantly in textiles to examine notions of home, as well as how gender, social norms, and larger geopolitical conflict impact the daily lives of women, both in Afghanistan and in the diaspora. Continuing to use textiles as the medium, Amiri searches to define, explore, and question these spaces. The figurative tendency in her work is due to her interest in the power of representation, especially of those objects that are ordinary to our everyday life, such as a passport, a vase, or celebrity postcards.
Exhibit #
The Other Home
The Other Home (2024) is a large-scale textile installation that examines ideas of exile and migration. The artwork, composed of various vertical panels, addresses a range of emotions associated with homelessness and the process of developing new social ties and forms of belonging. By using fabric from different parts of the Middle East and South […]
September 21 – December 1
Donors & Supporters
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