Eshrāghi (they/them) belongs to the Sāmoan clans Seumanutafa and Tautua, and lives and works in Montréal, Québec, Canada. As an artist, writer, curator and educator, they prioritize Indigenous, Black and Asian art and design, sensual and spoken languages, and ceremonial-political practices. Eshrāghi serves as Curator of Indigenous Practices at the Musée des beaux-arts de Montréal, mentor for the Inuit Futures in Arts Leadership: The Pilimmaksarniq / Pijariuqsarniq Project, and member of the Indigenous Arts Committee at the Conseil des arts de Montréal.

Eshrāghi curated the 2024 digital screen commission by Glenn Gear, ulitsuak | marée montante | rising tide at the Musée des beaux-arts de Montréal, TarraWarra Biennial 2023: ua usiusi faʻavaʻasavili (Highly Commended, Victorian Museums and Galleries Awards 2023), as well as Oceanic Thinking: Season Two (2022), Mare Amoris | Sea of Love (2023-24), and How we remember tomorrow (2024) in collaboration with colleagues at the University of Queensland Art Museum.