September 21 – December 1
One hundred more (2024) is a video-based installation that explores gestures linked to resistance. The installation is a re-imagining of the live performance created in 2019. In this choreographic work, Justine A. Chambers and Laurie Young, both women of colour and mothers, take centre stage to investigate a broad spectrum of minor gestures associated with resistance. Influenced by Black Lives Matter movements, they deviate from conventional discourse to instigate a paradigm shift in values rooted in the body’s terrain. Despite living on different continents, the duo share a mutual interest in the political, social, and physical implications of body gestures.
The work is inspired by Erin Manning’s book, The Minor Gesture (2016), an inquiry into the politics of movement. Erin delves into the way “minor gestures” disrupt established beliefs and conventional wisdom (the “major”) by providing experiential variations that reshape human interactions and propose alternate modes of existence, cognition, and action.
One hundred more is coauthored by Justine A. Chambers and Laurie Young and is created in collaboration with Emese Csornai, Neda Sanai, Sarah Doucet, and Victoria Cheong.
Bio
Justine A. Chambers (1975; she/her/hers) is a bi-racial Black dance artist and educator living on the ancestral and traditional territories of the Sḵwx̱wú7mesh, xʷməθkʷəy̓əm and səlilwətaɬ Nations. Her movement-based practice considers how choreography can be an empathic practice rooted in collaborative creation, close observation, and the body as a site of a cumulative embodied archive. Privileging what is felt over what is seen, she works with the social choreographies present in the everyday. Her most recent works are activations of the aesthetic practices of Black vernacular line dance and Black dandyism as de-colonial imaginings. Her choreography is concerned with the provisional questions: “What If?” And “Now what?” as processes towards imagining otherwise. Chambers’s work has been hosted by Leonard and Bina Ellen Gallery, Libby Leshgold Gallery at Emily Carr University of Art and Design, Western Front, Sophiensaele (Berlin), National Arts Centre, Contemporary Art Gallery (Vancouver), Morris and Helen Belkin Art Gallery at University of British Columbia, Tek Gallery at Simon Fraser University, Artspeak Hong Kong Performing Arts Festival, Agora de la Danse, Cantor Fitzgerald Gallery, and Art Museum at University of Toronto. She was the recipient of the Lola Dance Award (2017), Chrystal Dance Prize (2017 & 2023) and was long-listed for the Sobey Art Award in 2023. She is currently an instructor at the School for the Contemporary Arts at Simon Fraser University and completing an MFA in interdisciplinary art. Chambers is Max Tyler-Hite’s mother.
Location
- Accessibility
32 Lisgar St and Park
Accessible entrance
– Note: If you have access needs and are being dropped off at the venue, use ’36 Lisgar’ as the drop-off address instead of 32 Lisgar. This will bring you closer to our entrance.Washrooms
Elevator
AODA compliant building
Parking: Limited Street, Underground Parking (Paid)
There is ample paid parking nearby, including a Green P lot in the building, a lot accessible from the alley between Dovercourt and Lisgar off Sudbury, and street parking on both Lisgar Street and Abell Street.
- Getting There
32 Lisgar St and Park
By subway: Line 1 – From St. Andrew Station, take the 504 King streetcar west to Abell Street, walk 2 minutes. Line 2 – From Dufferin Station: take the 29 Bus south to Queen Street West, walk 7 minutes
By streetcar: Take the 501 Queen streetcar and get off at Abell Street, just east of Gladstone. Or, take the 504 King streetcar. Get off at Sudbury Street, and walk north/west along Sudbury to Lisgar Street.