Morehshin Allahyari (1985; she/her, Persian: موره شین اللهیاری), is a NY-based Iranian-Kurdish artist using 3D simulation, video, sculpture, and digital fabrication as tools to re-figure myth and history. Through archival practices and storytelling, her work weaves together complex counternarratives in opposition to the lasting influence of Western technological colonialism in the context of MENA (Middle East and North Africa). Her work has been part of numerous exhibitions, festivals, and workshops at venues throughout the world, including the New Museum, MoMA, Centre Pompidou, Venice Biennale di Architecture, and Museum für Angewandte Kunst among many others. She is the recipient of The United States Artist Fellowship (2021), The Joan Mitchell Foundation Painters & Sculptors Grant (2019), The Sundance Institute New Frontier International Fellowship (2019), and the Leading Global Thinkers of 2016 award by Foreign Policy magazine. Her artworks are in the collection of the Whitney Museum of American Art, the San Francisco Museum of Modern Art, and the Current Museum. She has been featured in Art21, The New York Times, BBC, Huffington Post, Wired, National Public Radio, Parkett Art Magazine, Frieze, Rhizome, Hyperallergic, and Al Jazeera, among others.
Exhibit #
She Who Sees the Unknown: Kabous, the Right Witness and the Left Witness
Kabous, the Right Witness and the Left Witness is a multi-media installation which addresses passing down the narratives of sisterhood and kinship, motherhood and lineage. It engages with intergenerational trauma caused by war, displacement, and birthing injustice. The installation represents the artist’s childhood room in Tehran, Iran, accompanied by two 3D-printed sculptures, and a VR […]
September 21 – December 1
Donors & Supporters
![](https://media-backup-tba2024.storage.googleapis.com/wp-content/uploads/2023/06/29152952/LBX_TD-2024.png)
![](https://media-backup-tba2024.storage.googleapis.com/wp-content/uploads/2019/09/30142344/LBX_Ontario_Arts_Council.png)