The Toronto Biennial of Art Residency is an experimental platform for artists with socially engaged practices. It supports artists whose work is challenging disciplinary and aesthetic conventions to expand notions of collectivity and enact social change at various scales.
DATES: November 2 – 15, 2020
Participants: Camille Turner, Candice Hopkins, Clare Butcher, Dana Prieto, Eric-Paul Riege, Jorge González, Katie Lawson, Myung-Sun Kim, Nova Weipert, Roxanne Fernandes, Tairone Bastien, Vanessa Kwan
Guests: Sebastien de Line, Mata Aho, Wildseed Black Arts Fellowship
Facilitated by: Ange Loft and Syrus Marcus Ware
Partners: grunt gallery, Black Lives Matter – Toronto (Wildseed Black Arts Fellowship)
In the Fall of 2020, the Biennial hosts a research-based, experimental, virtual residency, Rabbit Hole: Pod Theory, wherein TBA curators, commissioned participants, and facilitators come together as an interwoven network of pods. Inspired by Mia Mingus and the Bay Area Transformative Justice Collective’s (BATJC) pod-mapping exercise, each TBA curator has invited an artist into their temporary pod, working together over a two-week period to share methodologies and collaborative approaches within an ethos of care between all participants. Led and facilitated by Ange Loft and Syrus Marcus Ware, this residency explores the mythologies, caveats, protocols, and diverse practices of collectivity and connectivity across multiple time zones and geographies.
In the context of transformative justice work, the term “pod” was first defined by BATJC to describe a system of care, accountability, and trust – an alternative to authoritative justice systems that can make situations more harmful. Pod networks ask us to consider more immediate, relational ecologies of people who can be relied on for council and support in crisis, with intentions to transform rather than restore situations that led to the initial violence. To imagine and practice transformative justice is to hold people accountable to each other with care, compassion, love, and generosity. Many have expanded this terminology during the COVID-19 pandemic, describing a small group as a “bubble” or “pod” as a means of implementing mandated social distancing measures rather than creating safety, community support, and care.
In response to these shifting parameters and learnings, the Rabbit Hole: Pod Theory residency participants meet each day in a virtual rabbit hole together, forming connections through sharing research, methodologies, and potential resources over a series of workshops, presentations, discussions, and debate—some intimate and others public-facing. Across digital, geographical, temporal distances, the residency holds space for re-imagining collectivity in this moment in time.
Rabbit Hole: Pod Theory is made possible with the generous support of Toronto Arts Council
2019 TBA Residency
For its inaugural residency, from September 9 to November 1, the 2019 Biennial proudly presented Life of a Craphead, a collective whose work spans performance art, film, and curation.
The 2019 iteration of the Toronto Biennial of Art Residency program was made possible with the generous support of the TD Bank Group through its corporate citizenship platform, The Ready Commitment.
TBA Residency Programs